Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Elisabeth LouiseVigee Lebrun
Self Portrait in a Straw Hat

ID: 80137

Elisabeth LouiseVigee Lebrun Self Portrait in a Straw Hat
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Elisabeth LouiseVigee Lebrun Self Portrait in a Straw Hat


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Elisabeth LouiseVigee Lebrun

(1755-1842) French Elisabeth Louise Vigee Lebrun Galleries   Related Paintings of Elisabeth LouiseVigee Lebrun :. | Prince Henry Lubomirski | Self Portrait-y | Comtesse de la Chatre | Marie Antoinette of Austria | Portrait of Count Grigory Chernyshev with a Mask in His Hand |
Related Artists:
Giovanni Baglione
(1566 - 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious involvement with the artist Caravaggio and his writings concerning the other Roman artists of his time. A pupil of Francesco Morelli, he worked mainly in Rome, initially with a late-Mannerist style. He was also nicknamed Il Sordo del Barozzo.
CARRACCI, Agostino
Italian Baroque Era Painter, 1557-1602 Painter, engraver and draughtsman, cousin of Ludovico Carracci. He abandoned his profession as a tailor, which was also that of his father, Antonio, and began training as a painter. According to Faberi, he studied first in the workshop of the painter Prospero Fontana (like Ludovico), then trained under the engraver and architect Domenico Tibaldi and under the sculptor Alessandro Menganti (1531-c. 1594). However, it is likely that Faberi's account was influenced by his desire to present Agostino's career as an example of the versatile 'cursus studiorum' advocated by the Accademia degli Incamminati. Other sources (Mancini, Malvasia, Bellori) agree that it was his cousin Ludovico who was responsible for directing him towards painting.
Cazin Jean-Charles
French landscapes painter and ceramist , 1841-Le Lavandou 1901 Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles.






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